Gwyneth Zeleny Anderson
  • Home
  • art
    • Ball Pit of Despair
    • Morph Spell (courtyard)
    • Inner Ring
    • Chase Cycle
    • Coyotes
    • Chorus
    • The Gaze-ette
    • Collective spinach organism
    • Morph Spell (pumpkin seeds)
    • Cold Hard Thing
    • Cellule
    • Maybe what the audience feels
    • Tender mouth tissue
    • Menstrual Cycle
    • In-Betweening
    • Dirtlight
    • Um Radio
    • Aeriameter
    • Morph Spell
    • Rot
    • Dishrag Mnemonic
    • Touchtone
    • Feeling pancakes
    • A2O
    • Monroe Avenue sound animation
    • Chyme (performance)
    • Chyme (score)
    • 2016 Planner
    • Other Birthdays
    • Simulacrum for a Full Moon
    • Q+A
    • Some Sensations
    • Agony
    • Laughing Video
    • You are a pattern
    • Feel Better FAST
    • Stereo
    • Touch Music
    • Distraction Roleplay
    • Emulation
    • Detent & Stow
    • Qualiascope
    • more things outside
      • Pastoral Anxiety
      • Virtual Reality
      • Solace for a Mossy Rock
      • Moving Picture for a Dead Conifer
      • Cycle for a Gravel Road
      • Moon Bounce
      • My Bucolic State
      • Decomposition Goddess
      • A Microscopic View
      • Video for a Woodpile
    • more things inside
      • Phoneme
      • Liquid Mothers
      • Binder
      • Gaza
      • Decomposure
      • Cenotaph
      • Solar Plexus
      • Family Wreath
      • Quite
      • Things that fall on & off me
      • Concerning Similarities Across Categories
      • Mite You Still Need Me
      • Sensation Animation
      • Mind Trying to Concentrate
    • collaborations
      • 132 Calls
      • Sonic Meditations
      • Sensitive Circuits
      • Environmental Dialogues
  • about
  • cv
  • news
  • contact
Gwyneth Zeleny Anderson
  • Home
  • art
    • Ball Pit of Despair
    • Morph Spell (courtyard)
    • Inner Ring
    • Chase Cycle
    • Coyotes
    • Chorus
    • The Gaze-ette
    • Collective spinach organism
    • Morph Spell (pumpkin seeds)
    • Cold Hard Thing
    • Cellule
    • Maybe what the audience feels
    • Tender mouth tissue
    • Menstrual Cycle
    • In-Betweening
    • Dirtlight
    • Um Radio
    • Aeriameter
    • Morph Spell
    • Rot
    • Dishrag Mnemonic
    • Touchtone
    • Feeling pancakes
    • A2O
    • Monroe Avenue sound animation
    • Chyme (performance)
    • Chyme (score)
    • 2016 Planner
    • Other Birthdays
    • Simulacrum for a Full Moon
    • Q+A
    • Some Sensations
    • Agony
    • Laughing Video
    • You are a pattern
    • Feel Better FAST
    • Stereo
    • Touch Music
    • Distraction Roleplay
    • Emulation
    • Detent & Stow
    • Qualiascope
    • more things outside
      • Pastoral Anxiety
      • Virtual Reality
      • Solace for a Mossy Rock
      • Moving Picture for a Dead Conifer
      • Cycle for a Gravel Road
      • Moon Bounce
      • My Bucolic State
      • Decomposition Goddess
      • A Microscopic View
      • Video for a Woodpile
    • more things inside
      • Phoneme
      • Liquid Mothers
      • Binder
      • Gaza
      • Decomposure
      • Cenotaph
      • Solar Plexus
      • Family Wreath
      • Quite
      • Things that fall on & off me
      • Concerning Similarities Across Categories
      • Mite You Still Need Me
      • Sensation Animation
      • Mind Trying to Concentrate
    • collaborations
      • 132 Calls
      • Sonic Meditations
      • Sensitive Circuits
      • Environmental Dialogues
  • about
  • cv
  • news
  • contact
© GWYNETH VIOLET ZELENY ANDERSON
Website by OtherPeoplesPixels
  • Gwyneth Zeleny Anderson tries to interrupt the alienation of depression and hierarchy. To do this, they invite audiences to observe the cartoonishness, resonance, and impermanence of feeling; what results are unusual moments of collectivity among strangers. Most of these projects use a frame-by-frame animation process, combining traditional cartoon production techniques with sound, installation, and performance. Their practice is a prolonged attention to the cycles that animate us.

    Gwyneth has presented work nationally and abroad, including at Roman Susan, Weinberg/Newton Gallery, the Chicago Cultural Center, Roots & Culture, and the Hyde Park Art Center in Chicago; MoMA PS1 Print Shop in New York; Peephole Cinema in San Francisco; St. Charles Projects in Baltimore; and the Freies Museum in Berlin. They've been an artist-in-residence at the Experimental Sound Studio (Chicago), the Institute for Electronic Arts (New York), Utopiana (Switzerland), and FRISE (Germany), among others. Gwyneth's work is included in collections at FRISE and the Institute of Contemporary Art Library in Baltimore, and their projects have been written about in Newcity, the Chicago Reader, and Teen Vogue. They were trained in Pauline Oliveros' Deep Listening program, were an organizer with the Chicago abolitionist collective Make Yourself Useful, and has worked as a teaching artist for Chicago Public School students for the past 12 years. They are currently a Sculpture MFA candidate at the Tyler School of Art and Architecture in Philadelphia.

    Interviews and press:

    Interview with Tate Shaw on Mouth Sounds, WAYO community radio, June 2024

    Interview with Dan Manion on Inside the Edition, Chicago Printmakers Guild podcast, April 2022

    Interview with Nance Klehm on Lumpen Radio, October 2021

    The Tenuity of Truth: Weinberg/Newton Exhibition Situates Art in Our Post-Factual Era, Newcity Chicago, March 2020

    Return to the Everywhere at Weinberg/Newton Gallery, Chicago Artist Writers, March 2020

    Survey for White Artists, Monday Journal, April 2020

    Bill Meyer reviews Chyme, Dusted Magazine, March 2019

    Interview with Stacia Yeapanis for OtherPeoplesPixels, December 2014

    Laughing Video recommendation, Chicago Magazine, November 2011

    Laughing Video still, TimeOut Chicago, November 2011


    (Photo by Formidable Entities)

© GWYNETH VIOLET ZELENY ANDERSON
Website by OtherPeoplesPixels